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Everyone’s heard the story about Buddy Holly looking the teenage Bob Dylan straight in the eye a few days before the plane crash, but this?
Click through for the rest of this great Dion Dimucci interview.
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Everyone’s heard the story about Buddy Holly looking the teenage Bob Dylan straight in the eye a few days before the plane crash, but this?
Click through for the rest of this great Dion Dimucci interview.
This one should be in the Youtube Hall of Fame.
(Source: redeyednblue)
“Just heard (half of) the new Bruce song as I entered the parking lot—“we take care of our own/wherever our flag is flown,” or something like that anyway. Huh? Mr. Question Authority? Now sounds as reflexively patriotic as the most predictable country songwriter. Have you heard it? [Me: Yes, equal parts boring and vaguely jingoistic. But I dunno—hasn’t that been his thing for a while? He is deep in his mindless heartland phase…] Well, I thought he just had a passing fancy thing with all those “heroic” police and firefighters on 9/11. And they were brave … . I wonder if Bruce is burning his bridges with the boomer generation that made him famous. We can be sentimental for bravery, but we (I) have mixed feelings about chest-thumping and flag-flying. We protest wars, don’t celebrate them. Who will buy these songs?”“My mother is (still) a better music critic than I am.”—
—Almost thirty years after “Born In The USA” became one of the most misappropriated songs in pop history, some still refuse to hear Bruce’s chorus flag waving as anything but sincere, never sarcastic, never with a biting sense of irony, and never in any relation to the harshly contradictory verses. I’m far from being in love with the new Springsteen single, I think it’s too predictable, but my first reaction when I heard the song last night wasn’t “I like this” or “I don’t like this,” but rather: “I’m worried that this ludicrous ‘Bruce is a chest-thumping American apologist’ conversation is going to start up again.” Have some fans been thoroughly sold on this idea of the “reflexively patriotic, heartland” Bruce for quite a while, and will they buy this new record and bring flags to his shows and just not get it? Of course, though I think, and hope, they’re in the minority. Are critics (and their moms), now, going to start dismissing Springsteen under the same misconceptions?
The Pretender has been quiet for a little while now, I’ve been too busy not-making best of 2011 lists, but there should be some exciting things happening here in the next couple of weeks.
In the meantime, some links, in question form:
Is Justin Vernon’s work on the new Kathleen Edwards record the best thing he’s ever done?
How much longer are they going to make me wait for U.S. tour dates?
Lastly, I hope you enjoy Buck Owens and his band, in all their sparkly-suited glory, teaching a class on songwriting 101 with “Waitin’ In Your Welfare Line.”
Between the sad violins, and the moody trumpets, and all the pitch black songs about walking around damp, drizzly cities, it’s easy to forget the The National is a capital R Rock band, a band whose members adore the Grateful Dead and the Allman Brothers, a band that’s as equally defined by Very Loud Guitar Music as it is by Matt Berninger’s white collar, (not always) quiet desperation.
And so sometimes, it takes a guest appearance from Trey Anastasio, and his lead guitar that so unmistakably makes me feel like I’m 14, sitting on a sweaty summer camp school bus listening to Farmhouse, to make me realize that yes, there’s a certain loose, contained sloppiness in a lot of The National’s music, and that no, Anastasio’s guest appearance at The Beacon Theatre on Friday night was not ironic, or off-putting, or even bizarre. It actually sort of made a lot of sense.
Howard Tate - “Get It While You Can”
Sad news: Legendary soul music singer and songwriter Howard Tate has died at the age of 72. This song is one of his finest moments on record.
So many highlights from last night’s Replacements tribute show: Kevin Kinney nailing “Here Comes A Regular”? Patrick Stickles pouring his heart out on “Sixteen Blue”? Mercifully, there are already several videos posted, thanks to jukeboxgraduate64.
Incident on 57th Street wasn’t the first Springsteen I ever loved, but it was close. It was the first Springsteen song I felt like I had discovered, the first Bruce song I fell in love with that Nick Hornby hadn’t told me to listen to, and before last night Springsteen had never played “Incident” by himself, so he sang about Spanish Johnny and Puerto Rican Jane like he was singing about them for the first time.
“Tears A-Go-Go”-Charlie Rich
I would love to open up a bar someday, just so I can name it after this song.

Last night I traveled to Brooklyn with TeamSweeting to see Deer Tick play in a cramped and tiny room for over two hours. The show took place in theory to “raise awareness of the unnecessary and unjut police brutality on the part of the NYPD against the ‘Occupy Wall Street’ peaceful protesters this weekend.”
What the show did raise awareness about is the fact that John Mccauley is a sort of stumbling American Songbook, leading the band through fifteen some-odd largely unrehearsed and sometimes never before played covers in their twenty-five plus song set. The band also played a healthy number of their most well known songs and previewed several tracks off their forthcoming record Divine Providence, which should be a winner. There are full show reports at Brooklyn Vegan and Rolling Stone.
Anyways, I compiled as many of the songs covered last night as I could remember (feel free to let me know any I forgot), and made a little mix for you all. Hank Williams and The Replacements lead the way with two selections each, there’s Nirvana, there’s Buddy Holly, and there’s a song by a band named The Shivers that might make you cry.
You can download the Deer Tick-inspired mix by clicking on this link.
This tracklisting is my best attempt to recreate the order in which the songs were played last night:
1. Move It On Over-Hank Williams
2.Dead Flowers-Rolling Stones
3.I’ll Never Get Out of This World Alive- Hank Williams
4.Be Kind To Me-Michael Hurley
5.Oh Boy-Buddy Holly
6.Bastard of Young-The Replacements
7.Maybellene-Chuck Berry
8.Cocaine Blues-Townes Van Zandt
9.Juke Box Hero-Foreigner
10.One After 909-The Beatles
11.On a Plain-Nirvana
12.Tonight I’ll Be Staying Here With You-Bob Dylan
13.L.I.E.-The Shivers
14.Can’t Hardly Wait-The Replacements
Feist’s new album Metals comes out tomorrow. I like it. Check out my review.
I wrote a review of Mason Jennings’ latest album on americansongwriter.com. You can read the review here
